Categories
Science Poetry

Familiar Refrains

“A shift both routine and elysian; /
A blend between wonder and reason… / 
Past winter’s endurance, /
Returning assurance: /
Repeated relief of spring’s season.”  

The 4 April 2025 Bluesky limerick was centered on a memorable quote from scientist and writer Rachel Carson (1907-1964), from her book The Sense of Wonder.  

“A shift both routine and elysian; /
A blend between wonder and reason…” 

With the shift to Bluesky this April, I found myself using photos to accompany some of the poems, and this was a case in point.  As spring arrived in earnest, I had added three photos to this post from a walk in the nearby park: one of new blossoms on a tree, one of a bird silhouetted against the morning sky, one of new flowers and leaves.  All three had been welcome sights to me in recent days, at the time, and all helped support the quote from Rachel Carson’s The Sense of Wonder, which celebrates close observation of several striking moments in nature, including the arrival of spring after winter.     

Blossoming trees in spring.
A flowering tree in springtime.
A bird silhouetted against a pale blue morning sky in spring.
A bird silhouetted against the morning sky.
Small blue flowers and green leaves emerging from a layer of dry, brownish leaves.
Blossoms and leaves in the spring.

“Past winter’s endurance, /
Returning assurance: /
Repeated relief of spring’s season.”  

Carson’s quote states: “There is something infinitely healing in the repeated refrains of nature: the assurance that the dawn comes after night, and spring after winter.  Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts.”  

While it seems somewhat melancholy to write about this particular poem in September, since the calendar is now shifting slowly back toward shorter days and cooler temperatures, the transition from summer to autumn provides its own welcome moments.  I noticed over a recent weekend that the maple trees along the same path were just beginning to be tinged with red.

Maple leaves just beginning to reveal their scarlet autumn colors.
Maple leaves just beginning to reveal their scarlet autumn colors.

While these are not the new leaves of spring, their autumnal turns are always a highlight; their appearances, to borrow Carson’s wording, provide similarly healing refrains.  

Categories
Science Poetry

Opening Numbers

“In intro chem classes, find note on /
Identification schemes rote: yon /
Wall-chart periodic /
Yields info methodic— /
Sorts matter by number of protons!”

The 3 April 2025 limerick addressed the organizational scheme used on the modern Periodic Table of the Elements (PTE), which depends on a property called atomic number.  

In intro chem classes, find note on /
Identification schemes rote…

This limerick builds on the introductory theme of the PTE by adding a more direct explanation of how it is organized.  The poem introduces how to interpret the PTE most usefully: that is, with a view towards “identification schemes rote” and other reliably predictable information that the table can provide.  

“…Yon / Wall-chart periodic /
Yields info methodic— /
Sorts matter by number of protons!”

As seen last week, the PTE organizes chemical information in two dimensions (represented in the rows and columns of this famous grid).  

Dmitri Mendeleev’s version of the PTE generally arranged elements in order of increasing atomic mass, which is the average weight of an element.  However, he noticed that this trend, seen today in the rows, occasionally mismatched the elemental order with respect to chemical properties, seen today in the columns.  In those aberrant cases, he leaned more heavily on the latter.  Perhaps most famously, since he knew the patterns in both elements’ chemical behaviors and properties, he shifted tellurium, even though it had a slightly greater atomic weight, to be ahead of iodine in his ordering.  

This confusion was remedied, building on the experimental findings of Henry Moseley, when the elements were instead numbered in terms of their atomic numbers, which represent the number of protons in atoms’ nuclei.  In this case, tellurium has atomic number 52 and iodine has atomic number 53, so that their order is logical in both dimensions of the PTE (both row and column).             

The modern PTE (the “wall-chart periodic”) provides a wealth of data (“info methodic”) and is arranged in order of atomic number (“sort[ing] matter by number of protons”). 

Categories
Science Poetry

Cards on the Table

“Begin here by setting the Table: /
Collection of hist’ry, trends, labels. /    
On chem walls by way of  /
One D. Mendeleev: /
As theme, it’s a STEM-poem staple.”

The second April 2025 limerick heralded another traditional early-April topic for me: in this case, the Periodic Table of the Elements (PTE).  

“Begin here by setting the Table: /
Collection of hist’ry, trends, labels…”

The PTE compiles a wealth of information on the history of chemistry, periodic trends, and elemental labels.   

I’ve used the adjective “table-set” in a different attempt at the NaPoWriMo routine, but this was the first time I’d used the idiom of “setting the table,” which I appreciated for its connection to beginnings, early in April.  The capital T demonstrated that I meant the most famous of tables, in terms of how a chemist would generally see it!         

“On chem walls by way of /
One D. Mendeleev…”

Most science classrooms display the PTE: i.e., it’s generally found “on chem walls.”  While its full story is complex and fascinating, the most direct precursor to our modern version of the PTE was published by Dmitri Mendeleev in 1869.  (Given that I’ve written about his story multiple times, it was fun in this limerick to look for new rhyme opportunities and to find one with his last name.)      

“As theme, it’s a STEM-poem staple.”

This is a common theme for an early-April limerick for me, across multiple NaPoWriMo routines; thus, it is a “STEM-poem staple.”  

***

Many legends around the PTE’s initial construction have emerged; one that I find striking is that Mendeleev was a card player, who enjoyed a game called Patience, similar to Solitaire.  The PTE’s ability to organize information in two dimensions (atomic mass and elemental properties, given Mendeleev’s original rationale; refined slightly in our current understanding) mirrors the way that these card games organize information according to two dimensions (suit and number).  This aspect of the story gave rise to the title for this post.   

Categories
Science Poetry

August Company

“A new metric month-long ambition! /   
This seventh attempt at tradition, / 
With change in the scen’ry /
In midst of new green’ry: /
A first try as Bluesky edition.”

Classes are now off to their Autumn 2025 start here; with the academic year underway, I’ll return to my weekly posts, translating the poems from the previous April’s National Poetry Writing Month (commonly abbreviated NaPoWriMo).    

“A new metric month-long ambition! /   
This seventh attempt at tradition…” 

The first few poems in each NaPoWriMo are generally consistent in theme, especially the first, which simply sets out the month’s goal of writing thirty science-themed poems for the thirty days of April: a “metric month-long ambition.”  Since I completed this routine for the first time in April 2019, the 2025 poems marked my seventh attempt.  

“With change in the scen’ry /
In midst of new green’ry: /
A first try as Bluesky edition.”    

The April 2025 poems constituted the first set that used Bluesky as the website for the original postings (“first try as Bluesky edition”); they thus reflected “a change in the scen’ry” in the midst of springtime’s “new green’ry.”  

This particular poem is quite straightforward, so I’ll keep the word count short, for once.  The new set of 2025-2026 essays will provide “August company” (as well as that of September and onward, throughout this new school year!) to the April 2025 poems.

Categories
Science and Poetry

Fall into Place

Some big-picture points metaphoric
And mentions of themes allegoric;
The past-tense adjourning to
Present-tense learning, through
Look back at chem, set historic.

In this last July 2025 essay, as I note the imminent autumn semester, it’s a constructive exercise to connect some of this summer’s posts to the year ahead, aiming to build on some of these points in teaching.

Some big-picture points metaphoric /
And mentions of themes allegoric…

Rediscovering “the hedgehog and the fox” in their artistic context this summer has provided a welcome chance to reflect on some images and readings I’ve found illustrative in my career. It’s also a helpful reminder to consider some “big-picture” points that would have helped me as a student to see directly stated within my home discipline of chemistry, such as the following.

The considerations of what introductory chemistry courses should include are complex and change with time; they are updated every few years based on the careful recommendations of experts in the field. This variation with time is also seen with general education science coursework. An undergraduate student’s curriculum at the university level does not aim solely to maximize content covered in a single field but involves a complex optimization of coursework and logistics across campus.

The history of science is not typically part of a science-specific textbook; the expectation in an intro-level science course is generally that complex disciplinary content will be covered comprehensively to prepare the majority of students, who are non-majors, for future standardized exams and courses in their professional programs. (Introductory science courses are often classified as “service courses” because of this, since departments teach such courses in part as a service to other programs.)

Story is a powerful medium for communicating scientific information but also one that presents concerns for many scientists. Translating jargon and learning standardized vocabularies are challenging, important parts of science coursework; these underlying language-learning steps are not often presented with the commentary or scaffolding that disciplinary concepts and calculations are.

Biographies of the scientists whose findings supported pertinent concepts are readily available and can often help illustrate those concepts. Likewise, memoirs of scientists are often superb chances to read about the processes of science, with challenges and benefits detailed in ways not seen in journal articles or textbooks.

The past-tense adjourning to /
Present-tense learning, through /
Look back at chem, set historic.

I should always emphasize that these are my own takeaways from a career in teaching chemistry, directly distilled into the points and acknowledgements that would have helped me most, personally, as a science student, many years ago. I’m confident that anyone looking back at their own path would find their own set of illuminating moments and sources. However, it has been useful at times to take stock of such material, and looking to the start of the fall semester, with its “present-tense learning,” seems a logical time to do so.

Speaking of that timeline, I’ll give myself a few weeks now to let said semester start up, then return to the “translation” essays for the poems I wrote during April 2025, over the course of the next academic year.

Categories
Science and Poetry

Plan Ahead

In tandem with themes sci-artistic,
The knowledge of hurdles logistic;
Curriculum-spanning 
In course-schedule planning:
More prosaic characteristics. 

After acknowledging many benefits of interdisciplinary endeavors and learning, my next essay in July 2025 shifts to some of the inherent challenges in such efforts, building on some of the knowledge I gained through a recently completed academic role.      

In tandem with themes sci-artistic…

I finished a five-year term of directing an interdisciplinary general education program, just a few weeks ago.  I greatly appreciate this program because of my interest in “themes sci-artistic” (i.e., interdisciplinary work), and I consider myself extremely fortunate to be on a campus that offers such classes.  That being said, it also was instructive over the past few years to see how learning goals intersect with logistical realities, at the university level.  

The knowledge of hurdles logistic; /
Curriculum-spanning /
In course-schedule planning…

The central technique from my own computational chemistry research is that of a geometry optimization, a calculation that searches for the best values for the bond lengths and angles in a given molecule, considered by evaluating the resulting energy of that molecule, looking for the optimal geometry over several iterations (attempts). More broadly and metaphorically, it can be characterized as searching for the best possible combination of a number of complex, intersecting variables.  

Such an endeavor translates well to curriculum planning: optimizing which classes are offered when, via what variety of departmental contributions, to meet the curricular needs of the greatest number of students.  As with computational chemistry, multiple attempts are needed to get to the best possible “structure”: in this case, via a wide array of conversations.   

This curricular optimization (“curriculum-spanning in course-schedule planning”) also spotlights some of the hurdles to interdisciplinary cooperation.  For instance, many departments rely on Tuesday-Thursday schedules, and many others on Monday-Wednesday-Friday schedules, for their most common courses.  More interactive classes like laboratories and studios require lengthy blocks of time that create unusual conflicts across student and faculty schedules.  The course schedule then impacts all other aspects of academic life: what times are available for research; who can contribute to a given committee; etc. 

Truly collaborative inquiries require the expertise of researchers from multiple disciplines, whose teaching responsibilities generally correspond to multiple departments.  Thus, while such collaborations are undeniably laudable goals, pursuing them in an academic setting requires an awareness of several dimensions at once.  

More prosaic characteristics.

Compared to conceptual interdisciplinary overlaps, these logistical conversations are more prosaic.  However, I’ve found them fascinating as well, as I’ve seen them up close.  The idea of curricular “optimization” as an ongoing, iterative process is helpful; each academic year is a chance to aim for a slightly better-laid plan, while acknowledging the immense complexity of the underlying structure. 

Categories
Science and Poetry

Closer Looks

In further cross-discipline striving 
Of breadth-versus-depth enterprising,
Past mys’tries, detailing 
Through lens countervailing:
Find insights routine yet surprising.

The third July 2025 post takes a closer look at the book referenced in the last essay.   

I was fortunate to double-major in both chemistry and English as an undergraduate.  At that time, paleontologist Stephen Jay Gould was the primary science essayist of whom I was aware, as his work had been excerpted in several of the anthologies I read as part of my English courses.  I then received The Hedgehog, the Fox, and the Magister’s Pox as a Christmas gift early in my graduate school career, soon after I had narrowed my academic path to chemistry.  

Throughout my academic path, Gould’s book has been a helpful reminder of the broader interdisciplinary context in which I remain most interested.     

In further cross-discipline striving /
Of breadth-versus-depth enterprising…

As alluded to in the last post, Gould’s final book surveys “breadth-versus-depth [“fox versus hedgehog”] enterprising” throughout some key episodes in the history of science.  It was a challenging read, initially.  When I first read it, I was still developing my fluency in chemistry.  My discipline, moreover, was far afield from Gould’s expertise in natural history, which provided his own lens into studying the history of the sciences and humanities.  Finally, given that my own interests had been supported by both of my home departments during my undergraduate work, I had not yet encountered academic tension between the fields in the way Gould describes.  

However, this was a book that acknowledged and embodied the fact that investigations at the borders between academic disciplines exist, and it described some phenomena I would soon come to see in my own career. Contextualizing such observations has ultimately been quite helpful in my long-term academic path.  I have come back to Gould’s text often, finding new insights in each instance of “cross-discipline striving.”      

Past mys’tries, detailing /
Through lens countervailing…

Gould’s book provides a survey of scientific history that is broader than what is included in science-specific textbooks (at least in my experience).  He first describes the context of the Renaissance as the re-birth of the interest in classical knowledge, a movement which formed the basis of what we now consider the humanities, and he highlights the complexity of how that time period intersects with the Scientific Revolution, with new emphasis on experiment and the scientific method.  He reads scientific texts from past centuries, using his training from the humanities to read them closely in their historic context, and he acknowledges that this is a fundamentally different technique than scientists use in surveying their disciplinary literature when working on an experimental research question.  

These broad points would’ve been extremely helpful with a distractingly key question I had as a science student: why was the language in science textbooks functioning so unusually, compared to my experience with other books?  I still find it striking that the first text I encountered that specifically addressed such a topic used the “lens countervailing” of a non-science-specific viewpoint.  (One of the things I’ve appreciated most about Gould’s book is the way it opened the door to additional reading, which I’ll come back to in a future post, but the word count here is already excessive, even for a summer essay.)  

Find insights routine yet surprising.

Interdisciplinary fields such as the history of science, the philosophy of science, and science communication are well-established.  I am aware that what I have found to be surprising realizations throughout my narrower, chemistry-specific career path constitute routine knowledge to scholars in these areas!  I do think, though, that contextualizing points do have immense capacity to stand out to students in a given chemistry lesson, and as such, I have found it rewarding to supplement my chem-textbook-centric presentations with some of this broader information, over the past several years.

Categories
Science and Poetry

Model Behavior

The fox and the hedgehog, contrasting;
Their styles: diverse or steadfast-ing.  
As models, find analog
In varied course catalogs 
And image in efforts’ forecasting.  

The second of these July 2025 poems recounts a helpful historical model that I’ve encountered in reading and art, which helps stand in for aspects of academic exploration across the sciences and the humanities.  (For this and the remaining July poems, I’ll expand a bit past my typical 280-word limit; I could probably use more prose in exploring these complex topics!)      

The fox and the hedgehog, contrasting;
Their styles: diverse or steadfast-ing.

I was intrigued to read about a blend of art, history, and science in a summer exhibition at the National Gallery of Art, looking at Joris Hoefnagel’s (1542-1601) nature paintings.  One of the pictures caught my eye, as I have enjoyed for several years reading and teaching from a book by Stephen Jay Gould with a version of the central metaphor (presented via Latin inscription in the painting): “The fox has many tricks, but the hedgehog has one great trick.”    

The painting and Gould’s book (The Hedgehog, the Fox, and the Magister’s Pox) each allude to a fable many centuries older.  The central theme is that a fox uses many different strategies to achieve its many different goals, while a hedgehog has a single, very effective approach, of rolling into a ball, to achieve its own goal of safety. 

This image has been used through millennia, stemming first from a poem by the Greek poet Archilochus (680-645 B.C.), which was then celebrated widely much more recently, in a 1953 book by philosopher Isaiah Berlin, noting how different historical figures used “hedgehog” or “fox” approaches in their lives.  

Gould emphasizes throughout his own book that he is not saying that one “animal” corresponds with sciences and the other with the humanities, but rather that the two styles– both creative flexibility and resolute tenacity– are useful at different times in both fields.    

As models, find analog /
In varied course catalogs…

Since encountering Gould’s book, it has been a helpful exercise to consider these different approaches to academia.  Looking back at graduate school, for instance, I can see how it involved broad coursework in several chemistry labs and lectures (paralleling the fox) and intensive study of a primary research area (paralleling the hedgehog) for the thesis.  Teaching is likewise an undeniable blend of the two styles: preparing lecture slides involves some hedgehog-like review and writing, while the fox approach echoes in the actual classroom, where a variety of explanations are necessary to communicate with a variety of students.  

And image in efforts’ forecasting.

I expect that I will return to this central image and book a few times in the remaining July essays (“efforts’ forecasting”), given both the usefulness of the metaphor and Gould’s insightful discussions of the history of the sciences and the humanities. 

Categories
Science and Poetry

At Cross Purposes

From walking, a caution first-wary  
Invites retroactive quote-query 
When re-punctuated:
Ideas curated 
T’ward efforts cross-disciplinary. 

We’ve reached July yet again, and so it’s again been fun to think about a summer series of posts that center on a common theme.  

This summer, I am interested in revisiting the overlap of science and the humanities that had inspired last year’s two conference talks, looking in greater depth at my own experiences in interdisciplinary teaching over the past several years, with some more time to do so.  

From walking, a caution first-wary…

This first limerick is inspired by the sign that I have often seen on a nearby trail: as shown, it reads “AVOID COLLISIONS / NO STOPPING / ON BRIDGE.”

Although the syllables used do not match this format, its three lines and evocative theme always make me think of a haiku.  The text consistently reminds me of some of the challenges and opportunities in the interdisciplinary courses I teach, which bridge from chemistry to another area, such as art or literature: they are rewarding opportunities, but perpetual, thoughtful planning is vital in avoiding “collisions.”

Invites retroactive quote-query /
When re-punctuated…

Seeing the sign repeatedly over the years in its neutral presentation, I’ve often imagined a different interpretation: reading it in reverse and adding in some punctuation, creating a disciplinary crosswalk of sorts.  Ultimately, use caution, but proceed: “Bridge on!  Stopping?  No!  Collisions, avoid.” Such a read is reversed and re-punctuated, and the resulting query stems from the original quote.  

(Alternatively, depending on how directly these potential interdisciplinary debates were invited, I could imagine yet another read: “Avoid collisions?  No!  Stopping on bridge!”  I see in this version an active invitation to the beneficial challenges such conversations can bring, if approached constructively.)

The revised interpretations summarize my interest in interdisciplinary work, as well as my awareness of attendant potential “collisions.”   

Ideas curated /
T’ward efforts cross-disciplinary. 

Different disciplines are often portrayed “at cross-purposes,” as in the title’s referenced idiom, but it is also interesting to consider the purposeful possibility of crossing the bridges between them. These July 2025 essays will thus collate and curate some related ideas from the past several years.   

Categories
Science Poetry

Closing Rhyme

“The month and its practice now closing:
One last set of lines here composing; 
The April routine, 
As the poems convene,
Yielding busy month’s moments engrossing.”

The 30 April 2024 Twitter limerick marks the end of NaPoWriMo2024, and we have reached the last week of spring semester classes here.    

“The month and its practice now closing: /
One last set of lines here composing…”

Reaching this landmark each spring always means a shorter translation essay than the last few, since it’s a fairly transparent topic!  April 30 marks the end of National Poetry Writing Month, so this limerick was the last in 2024.  

(It is also my last Twitter post entirely; I shifted to Bluesky as of December and have been working towards this month’s routine in that new location.)

“The April routine, /
As the poems convene, /
Yielding busy month’s moments engrossing.”   

2019 was my first year in completing this April routine.  I have learned a great deal in continuing the practice over the last several years: it has provided good chances to finally resolve vocabulary questions I always wondered about; to finally learn the stories of the scientists whose insights formed the substance of the textbooks I’d used for years. 

April also lines up with a particularly stressful time of the school year, so that I welcome any “moments engrossing” that can be distinct from year-ending responsibilities and tasks.  

***

Along those lines, as in previous years: while I look forward to writing some summer essays, I will take a break here for a few weeks, to celebrate the end of another busy spring semester.