Categories
Science Poetry

Textbook Definitions

“The metals are elements wondrous:
At room temp, most, solids; dense; lustrous;
Also ductile, conductive.
But this form’s reductive;
In textbooks: more info, illustrious.”

The 22 October 2019 limerick was part of the National Chemistry Week 2019 sequence, focusing on another aspect of “Marvelous Metals.”  

“The metals are elements wondrous: /
At room temp, most, solids; dense; lustrous; /
Also ductile, conductive…”
Chemistry textbooks compile much technical information in a relatively small space; this limerick takes this a step further, cataloging several traditional definitions and properties of metals via the syllabic constraints of a limerick.  

Metals exist in the solid phase at room temperature, with the notable exception of mercury.  Metals’ densities are high: even a small volume of a given metal has a significant mass (and these densities are characteristic to specific metals, as commemorated in Archimedes’s famous realization).  Metals are lustrous, reflecting light and appearing shiny.  They are ductile and can be turned into wires; they can conduct heat and electricity.  [As a sidenote, textbooks generally mention ductility (a metal’s ability to be made into a wire) and malleability (a metal’s ability to be flattened into a sheet) in the same sentence, but I couldn’t fit the latter property into this space.]          

“But this form’s reductive; /
In textbooks: more info, illustrious.”
The last two lines are a bit contradictory: they acknowledge the limits of the limerick and point an interested reader towards the more expansive information discussed in textbooks… even as the inspiration for the limerick arose from the brevity with which these books address metals’ many interesting properties, in introducing the periodic table.  

Usually, however, a textbook will include more extensive discussions of descriptive chemistry as well; these chapters expand on the general discussion of metals provided in the early overview, examining particular groups’ chemical and physical properties.  Likewise, some of the other limericks written for this week will address specific metals in more detail.       

Categories
STEM Education Poetry

Midterm Assessment

Though I strive for increasing simplicities,
Class preps melt into muddled cyclicities.  
Here in Fall 2020,
There’s effort a-plenty
In balancing Chem’s synchronicities. 

This non-Twitter poem is not so much intended to elucidate any aspect of STEM education as to acknowledge this challenging autumn for faculty and students alike, here in the middle of the fall semester.   

“Though I strive for increasing simplicities, /
Class preps melt into muddled cyclicities.”
I’ve spoken with a few of my colleagues about how much the 2020-21 academic year reminds us of our respective first years on the tenure track.  It is a major shift to go from the research focus of postdoctoral work into full-time “class prep”: generating sets of notes with which to stay at least a day (or at least a few hours!) ahead of the class sessions that require those resources.  Since real-time teaching itself– organizing lectures, grading assessments, etc.– easily constitutes the substance of a normal work week, any term a professor has a completely new course is notable for the additional work it involves.  

The poem’s first two lines acknowledge that, although I attempted over the summer to prepare, it wasn’t fully possible.  Thus, recently, time has seemed to “melt into muddled cyclicit[y],” as it did a decade ago, when I began my teaching work; it’s easy to lose track of the days, moving through this befuddling term!  

“Here in Fall 2020, /
There’s effort a-plenty /
In balancing Chem’s synchronicities.”          
Teaching is very rewarding, but it’s also considerably time-consuming this autumn, mainly because I’ve been learning best practices pertaining to remote classrooms.  “Balancing Chem’s synchronicities” is a shorthand for those daily routines: preparing coherent lecture outlines and videos to be available asynchronously; maintaining synchronous classroom sessions, so that students and I can discuss questions on useful timescales. (I’ve been most fortunate to work with wonderful classes and colleagues; as I predicted in Week 1, the “effort a-plenty” is a shared endeavor throughout the department and across campus.)    

Categories
Science Poetry

Clashing Symbols

“The marvelous metals are able
To make up quite a lot of the table
That we term periodic:
Collection symbolic 
Wherein lies each element’s label.”  

The 21 October 2019 limerick was written as part of National Chemistry Week 2019. It provides an overview of the periodic table of the elements (PTE), the relative populations of metallic and non-metallic elements on the PTE, and the use of chemical symbols on the PTE.   

“The marvelous metals are able /
To make up quite a lot of the table /
That we term periodic…”
A wide number of chemical properties and principles can be gleaned from an understanding of the periodic table of the elements (PTE).  For instance, metallic character versus non-metallic character can be assessed: the left side of the PTE includes metals, and the right side of the PTE includes non-metals.  Roughly 80% of the elements are metals; they thus “make up quite a lot of the [periodic] table.”  The dividing line between metals and non-metals is often referred to as a “staircase,” given its appearance; the semimetal or metalloid elements are collected in this range of the PTE.  

“Collection symbolic /
Wherein lies each element’s label.”
The periodic table uses chemical symbols as a convenient shorthand for the element names; the label for each element is a one-letter or two-letter symbol. 

Sometimes, these labels are predictable given the name of the element, as with cobalt (Co), for which the symbol is intuitive.  Other times, the labels reflect a name expressed in a different language, as with iron (Fe) and potassium (K); both of these take their abbreviations from the Latin words for the elements (ferrum and kalium, respectively).  The title of this piece alludes to the idea that these instances can seem frustrating and dissonant, as one is learning chemistry; the idea of “metallic symbols” here provides an intriguing play on words with “metallic cymbals.”

As with an introductory approach to any subject, some degree of memorization is inherent and important in learning to use the periodic table efficiently as a disciplinary tool.    

Categories
STEM Education Poetry

Anchor News

In Intro Chem, texts can fight focus.
But chemists themselves oft convoke; thus
For study sans rancor, 
See concepts that anchor
And for big ideas, central locus.  

This non-Twitter, STEM-education-themed poem addresses the sheer volume of material in an introductory chemistry textbook and one interesting set of disciplinary resources that students may find helpful in organizing their approaches to that material.  

“In Intro Chem, texts can fight focus.”
An introductory chemistry course shifts between vastly different subjects on a weekly basis.  Chemistry textbooks, while wonderful and creative resources, can seem overwhelming with the breadth of their coverage, as a student attempts to find key themes to emphasize in studying.  

“But chemists themselves oft convoke…”
The second line introduces a chemistry-education-related project that the American Chemical Society’s Division of Chemical Education has developed in the past decade.  This project is not itself reported in a chemistry textbook but, as part of the scientific literature, has been published in journal articles and communicated at conference presentations.   This is acknowledged poetically via “chemists themselves oft convoke”: the substance of this project arises from disciplinary meetings and related written communication.    

“…thus/ For study sans rancor, /
See concepts that anchor /
And for big ideas, central locus.”  
The Anchoring Concepts Content Maps are resources that outline key themes for different subdisciplines of chemistry.  For instance, authors Thomas Holme, Cynthia Luxford, and Kristen Murphy have published the General Chemistry Concept Map, highlighting major ideas around which the content of a yearlong introductory chemistry sequence centers.  While the resources are described at the pertinent link for chemistry teachers, I have seen that students likewise find these resources useful, especially in approaching final exams.        

The language in lines 3-5 becomes a bit strained.  However, “study sans rancor… [through] concepts that anchor” is intended to say that these resources lead to a less stressful learning process!  Likewise, these content maps provide a useful “central locus”: a single place in which to find many key ideas of chemistry.      

Categories
Science Poetry

Words of the Week

“Today starts a week that will readily  
Spotlight highlights for seven days, steadily,
As we celebrate nationally
Our science that rationally
Explores matter’s properties: chemistry.”

The 20 October 2019 Twitter poem began a series of poems written to celebrate National Chemistry Week 2019.    

“Today starts a week that will readily /
Spotlight highlights for seven days, steadily…”
As with Chemists Celebrate Earth Week, which I’ve written about in this space previously, National Chemistry Week is a celebration sponsored by the American Chemical Society.  I had not realized its longevity until writing this piece; the first occurrence was in 1989.  Each year, the week has a different theme, highlighting such myriad topics as chemistry and art, environmental chemistry, and nanotechnology.    

“As we celebrate nationally /
Our science that rationally /
Explores matter’s properties: chemistry.”
The theme of the 2019 National Chemistry Week was “Marvelous Metals,” as will be seen over several upcoming entries here.  This year, National Chemistry Week will be held from October 18-24 and will focus on “Sticking with Chemistry”: the science behind glues and adhesives.  The American Chemical Society provides a wealth of educational resources and activities each year to celebrate the pertinent theme, sponsoring events across the USA.  Chemistry examines the structures, properties, and reactions of chemical species, commonly phrased as the study of matter.    

(“Chemistry” is a word that doesn’t perfectly rhyme with too many others.  One of the rhymes I tried in an early draft of this limerick was “centrally,” building on chemistry’s characterization as a “central science.”  I was most familiar with this phrase in its capacity as part of a popular textbook title; again, it was interesting in drafting this essay to realize some larger discussions of that phrase.  As one might suspect, the connections between different STEM disciplines are complex and oft-debated!)   

Categories
STEM Education Poetry

Name That Tune

“The Alphabet” and “Twinkle, Twinkle,
Little Star” share a melody single.  
The tunes are the same,
But when just naming names,
Common content can be tough to signal!    

This non-Twitter poem highlights an interesting challenge of communicating in scientific disciplines; this challenge certainly extends to introductory science courses.  

“The Alphabet” and “Twinkle, Twinkle, /
Little Star” share a melody single.  
Several childhood songs, including the alphabet song (a.k.a. “now I know my ABCs”), “Twinkle, Twinkle, Little Star,” and others, have the same melody. However, that often is not obvious until one hums each tune to oneself. These initial two lines are rhythmically awkward, but they succinctly introduce a point that can resonate in a more complex context: during a STEM student’s undergraduate path, they often encounter common concepts in multiple courses.  

The tunes are the same, /
But when just naming names, /
Common content can be tough to signal!   
I remember one hallway conversation with a colleague teaching in a different STEM discipline; we were discussing the fact that thermodynamics had recently come up in both of our courses, but it was difficult for students taking both to transfer concepts and calculations between the two disciplinary presentations.  It didn’t take much time to identify the reason why. 

If we think about the process of heating a sample of water through all three of its phases, from solid ice to liquid water to gaseous steam, that process involves two “phase changes,” one from solid to liquid and one from liquid to gas.  At each of these, some heat energy is necessary to cause the phase change itself.  For instance, depending on sample size, it takes a certain amount of heat energy transferred at constant pressure to cause ice to melt to water: this was a concept that had recently come up in both my and my colleague’s courses. However, we soon realized that while I was discussing it in class as the enthalpy of that melting step, my colleague referred to it as the latent heat.  We each had learned the other term at some point, but it still took us a few seconds to recalibrate our discussion; we realized that students were likely hearing each unusual term as its own unusual concept, even with such an everyday process as the melting of ice.  

To directly link this anecdote to the limerick: the “melody” here is the familiar idea that melting ice to form water requires an input of heat energy at constant pressure.  However, that’s not immediately evident when “naming names” and learning the disciplinary vocabulary: the “common content” is challenging to realize. 

Different scientific disciplines require their own complicated disciplinary jargons for efficient communication among their specialists.  This can create quite a hurdle for novice learners, who often must take more than one introductory STEM course at once.  As with so many of these essays, my hope is that being aware of that obstacle might provide an important step towards navigating it.   

I will end here with a wonderful quotation from renowned organic chemist Percy Julian, whose words bring the essay to a close with a focus on another childhood rhyme.   

“I don’t want to frighten those of you who are not familiar with organic chemistry. I should have said in the beginning that one hardly expects an organic chemist to be able to speak without his gobbledygook in his language. As a matter of fact, one hardly expects a scientist to speak without that, and therefore scientists are usually and traditionally poor speakers, I warn you… The late Sir J. B. S. Haldane, the great biologist, put it rather aptly when he said that our language doesn’t lend itself to poetry. ‘Ladybird, ladybird fly away home’ becomes impossible when you must call the ladybird Coccinella bipunctata.”

Dr. Percy Julian, quoted in “Forgotten Genius,” NOVA
Categories
Science Poetry

Shaping Ideas

“To consider electrons’ repulsions
In geometries under construction,
VSEPR theory
Provides first steps; here, see 
To molecular shapes, introduction.”  

The 14 October 2019 limerick alludes to a theory used in introductory chemistry courses to rationalize molecular geometries.   

“To consider electrons’ repulsions /
In geometries under construction…”
Yet another big idea in General Chemistry is that of molecular geometry: the three-dimensional shape in which a molecule exists.  The shapes of molecules have major implications for how these molecules can react and interact with one another, and so being able to predict a molecule’s geometry is an important first step for understanding its properties and reactions.  Three theories are typically introduced to rationalize molecular geometries: valence bond theory, molecular orbital theory, and valence-shell electron-pair repulsion theory.  All involve to some extent the central idea that negatively charged electrons repel one another.  

“VSEPR theory / 
Provides first steps; here, see /
To molecular shapes, introduction.”     
In general chemistry textbooks, the chapter on molecular geometry is a chapter in which Bent’s discussion of “strange terms for strange things” often seems particularly apt.  The three theories mentioned above are referred to as their abbreviations: VB theory, MO theory, and VSEPR theory, respectively.  (Further confusing the issue, VSEPR is often pronounced “vesper”!  However, in this poem, the rhyme scheme relies on spelling out the acronym.)       

VSEPR theory is the simplest of the three and is generally extensively explored in introductory coursework, providing important “first steps.”  As alluded to above, VSEPR stands for “valence-shell electron-pair repulsion.”  Valence electrons are the outermost electrons of an element; when elements combine into molecular compounds, the valence electrons participate in covalent bonds (with each bond involving two electrons) or exist in “lone pairs.”  In all of these cases, the electron pairs from the valence shells repel.  This ultimately results in characteristic shapes for molecules, as electron pairs will distance as far away from one another as is geometrically possible.   

Categories
STEM Education Poetry

Taking Note

“A lab notebook stands written sentry
Over data advanced, element’ry.
When the record is clear,
Future readers adhere,
To repeat work outlined in past entries.”

Revisiting the 30 September 2019 Twitter limerick through the lens of the STEM education-themed poems provides an opportunity to emphasize the lab notebook as an educational tool.

“A lab notebook stands written sentry /
Over data advanced, element’ry.”
Keeping a clear record of experimental data in a lab notebook is a learning objective in most undergraduate laboratories, from first-year introductory chemistry courses through upper-level majors’ courses.  These notebooks thus stand guard over data ranging from elementary to advanced.           

“When the record is clear, /
Future readers adhere, /
To repeat work outlined in past entries.”
Writing a lab notebook entry is a task for which there is no single “correct” approach.  However, a complete entry typically includes the following: a statement of purpose; information on amounts of reagents used and the procedures completed; the data collected; at least one sample calculation for each result; and a brief conclusion statement.  Data should be recorded in ink, and errors should be crossed out only with a single line apiece, so that the entire procedural record can be observed and understood.  I generally remind my students to write at a level of detail enabling a “future reader” (another chemist) to pick up the notebook and repeat the entire procedure from the “past entr[y].”

Since beginning my teaching work, I have been interested in revisiting lab notebook assignments as  writing-to-learn techniques.  I have asked students to turn in scanned pages from their first experiment for comments only: a “low-stakes” formative assessment, long before the lab notebook is graded at the close of the semester for a significant portion of the grade, in the traditional, “high-stakes” summative assessment.  More recently, I have been interested to learn further about writing across the curriculum initiatives in STEM. Writing and learning in chemistry are both iterative processes that can reinforce one another. 

Categories
Science Poetry

Evenhanded Remarks

“The property known as chirality:
A helix’s handed spirality;
Two non-superposing
Mirrored molecules, chosen
To label by dext/sinist-rality.”  

The 23 September 2019 limerick addressed an interesting property observed in three-dimensional molecules, which is introduced in organic chemistry coursework.   

“The property known as chirality: /
A helix’s handed spirality…”
Organic Chemistry 1 is a challenging course for many reasons, one of which is the necessity of thinking about three-dimensional molecules and properties via largely two-dimensional communication: textbooks and chalkboard drawings.  One property that demands the ability to think three-dimensionally is chirality.  

It is obvious when someone puts shoes on the wrong foot or gloves on the wrong hand.  Feet and hands are chiral: they are non-superimposable mirror images.  Some molecules exist in “handed” forms, which means they react differently in “glove-like” chemical environments: some fit and some don’t.  Other molecules are achiral; they do not exhibit this quality.  (I’ve always liked the succinctness of “shoes are chiral; socks are achiral.”)   A DNA molecule, with its spiraling helix, is chiral, providing a pertinent rhyme.

“Two non-superposing /
Mirrored molecules, chosen /
To label by dext/sinist-rality.” 
Several precise vocabulary terms are introduced via topics of stereochemistry.  Molecules that are stereoisomers are molecules made up of the same atoms bonded in the same order but with different three-dimensional arrangements.  Stereoisomers that exist as pairs of the non-superimposable mirror images described above are called enantiomers.  Specific stereocenters (locations where chirality is evident) are distinguished as having “R” or “S” orientations.   Many such terms are used in organic coursework.    

Along with R/S notation, chiral molecules can also be described in terms of their optical rotation: the direction in which they rotate plane-polarized light, which is described with a positive or negative sign.  These terms are dextrorotatory (clockwise rotation) and levorotatory (counterclockwise rotation).  To fit the limerick’s rhythmic constraints, “dext/sinist-rality” was used as a shorthand for this last set of “handed” definitions.    

Categories
Science Poetry

Addressing Challenges

“Quantum numbers disencumber
Orbital descriptions.  
Combinations’ denotations: 
3-D space depictions
From wavefunctions.  Numbers’ junctions 
Address volumes probable.
Useful tools are Q. N. rules,
To name electrons’ ‘domiciles.’”

The 16 September 2019 Twitter poem highlights a useful metaphor for considering atomic orbitals (mathematical functions that describe electron behaviors) in General Chemistry.  Since the actual math describing atomic orbitals will not be seen until higher-level chemistry coursework, it can be challenging to discern the uses and descriptions of these models at the introductory level.  

“Quantum numbers disencumber /
Orbital descriptions.”  
Matter functions differently from our everyday experience at the atomic and subatomic scales: whereas the equations of classical mechanics work well in describing everyday observations, the equations of quantum mechanics are used to describe the particulate-level scale.  Electrons are subatomic particles, and their locations are described in terms of probabilities; rather than the exact path delineated by an “orbit,” an electron’s location is within an “orbital.”  An orbital is described by a combination of quantum numbers (n, l, and ml).  Each number relates to a different aspect of the orbital: combined, they establish its size, shape, and orientation in space.  (A final quantum number, ms, identifies the specific electron within its orbital, via that electron’s spin.)  A combination of quantum numbers specifies an orbital of interest, “disencumber[ing]” its description.   

“Combinations’ denotations: /
3-D space depictions /
From wavefunctions.  Numbers’ junctions /
Address volumes probable.”    
By manipulating the mathematical function associated with an orbital (called a wavefunction), a three-dimensional shape results; this shape represents, with 95% certainty, where an electron will be.  Each specific “3-D space depiction” is denoted by the combination, or “junction,” of the three quantum numbers (n, l, and ml) described above; a common metaphor is an address for an orbital’s “volume probable.”     

“Useful tools are Q. N. rules, /
To name electrons’ ‘domiciles.’”
Quantum numbers and the rules describing them give us a succinct way to identify the “domicile” of an electron: the orbital in which it “resides.”  While such imagery is, of course, not nearly as precise as the mathematics used in advanced coursework to further explore atomic orbitals, this analogy provides an accessible and important step for students in understanding the concept.